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tom mic placement

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Here are some miking options you might want to try. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. Using a boundary mic lying inside the drum for the low end, combined with another stand-mounted mic for the attack, gives a lot of flexibility when crafting an awesome sounding kick. Classic Method: Place the mic 2 or 3 inches over the head and above the rim, positioned at a 45 degree angle and aimed at the center of the head. This is the standard way to mic a kick drum if you have the outside head off or if a hole is cut in it. One favorite variation of this tip is to use tube microphones. This positioning is designed to increase the sound rejection of the rest of the kit. For live sound on a kick with no hole in the head, I find that positioning the mic in the lower half of the head about one-third of the drum’s diameter away from the rim will work well. First is the dynamic mic, which will often be used on the snare, bass … Use whichever setting yields the most low end. Phone Hours | I'm going to be using two overheads, sm57 on snare, kick inside the head, and clip on tom mics. Use your ear to taste. This mic tackles loud sources with ease, provides good off-axis rejection (thanks to its hypercardioid polar pattern) and shows a frequency response from 30Hz to 15kHz with a notable presence boost in the upper mids that will give those toms a great level of 'detail'. The techniques: NOTE: For the outside mic you can alternately use the DW The Moon Mic in front of the kick as a low-frequency pickup source too. On double head toms, you can also remove bottom head and place a mic inside pointing up toward top drum head. For lots more pointers, check out these videos and other articles about miking drums. Listen to the under-snare mic combined with the over-snare mic, and switch the polarity of the under-snare mic. And the Audio-Technica AT5045s are great sounding on drum overheads and a new favorite here at Sweetwater. Microphone choice has a huge impact on the sound of a snare drum. Personally, I’ve had the greatest success gathering an overhead perspective of the entire kit instead of just the cymbals. Putting a mic in front of the outer head is the most common kick drum mic placement, but there are still plenty of variables. There are lots of mics that work well inside the kick. Mixing Toms – EQ goes first. Using hypercardioids on toms may actually accent the cymbals that are directly behind the mic far more than a standard cardioid dynamic. Toms often help determine the sound of a record. Miking a tom with one microphone is preferable as it has more clarity than miking with two mics, having one on the bottom. This will get the most attack. my batter head mic on my floor tom has been useful as a spot ride mic for me many times. When miking the hi-hats, put the mic above the top cymbal, about 3″–4″ above, and about halfway between the center and the outer edge. His studio work on Gold and Platinum-selling records with iconic Christian artists such as Amy Grant, Michael W. Smith, DC Talk, Russ Taff, Twila Paris, Kathy Troccoli, and countless others gives him a unique perspective on the artistry and technology of recording. You can get great results by using an inside kick mic combined with a mic outside the kick. Choose the right mic: dynamic. Moving off-axis from the center of the drum will yield a more balanced sound (low end to top end), and moving away from the head will change the sound even more. A pair of LDCs, spaced 90 degrees apart from the drum center, works well. And if you’re doing a video shoot and need a mic that is nearly invisible to cameras, the Shure Beta 98AMP/C is tiny and affordable yet doesn’t compromise on sound at all — the 98AMP/Cs (seen above) are in constant use on the Performance Theatre stage at Sweetwater. Experimentation with placement is critical, and each drummer’s hi-hats will sound different (brighter/darker) along with their technique, so try different placements and mics depending on how they play. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 To emphasize one part of the kit or another, raise and lower the mic accordingly. Some drummers position their cymbals so low over the toms that getting a microphone beneath them is very difficult. Depending on the drummer and the musical style, hi-hats can be so loud that some engineers don’t even bother miking them, but put a mic on them just so you have the option of using it if you need it. *Mic Placement for Toms 5 or More Mics Studio Set-Up. For example mic 2 in this diagram will capture more bass tones nearer to the sound hole compare to 1 and 3. Start with a high pass filter and cut the low-low end. While that will definitely work, a great deal more finesse can and should be applied. Since its release in 1982 the Type 4006 microphone has become a worldwide studio standard. To read lots more about miking a snare, along with sound samples, check out my article “How to Mic a Snare Drum”. My typical starting position is placing the mic about 1.5″ above the head, 2″ inside the rim, and aimed down at the center of the head. One of the studio-standard mics for toms is the Sennheiser MD 421 II, which sounds amazing. The mic of choice for most recording engineers when recording a kick drum is a … Another offering by Shure, this one built with toms and snares specifically in mind. Need a... You'll find the world's best microphones at Sweetwater! I typically position the mic off center on the drum head (at about 1/3 of the drum’s diameter) and about halfway back in the depth of the shell. To find out about other great snare mics and even hear what they sound like, check out my article “Best Mics for Recording Snare Drums”. Note: when placing drum mics, it’s important to remember that sticks and hands and cymbals will be falling very hard near them, so make sure your mics aren’t in the way of the player or a rogue ride cymbal. Let's assume I have a 2 or 3 microphone limit, and it's a standard 5 piece with two rack toms. Kick drums come in lots of sizes, from big, wide Bonham-style 14″ x 26″ bass drums to …

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