Anyone who has ever owned a Shure mic will know that they are built tough. It has a tough build with an all-metal construction with a mic clip. It also handles very high SPL levels of 174 without distortion to ensure a clear performance at loud volumes. It also means it can work with very, very low frequencies. Frequency Response 30 - 15000 Hz. AKG D112 MKII Bass Drum Mic. When looking to invest in drum microphones, It is often down to personal tastes to determine what is the best kick drum mic. The perfect combination for just about every style of music, But great for Rock music. It performs extremely well live, especially with the low-mid scoop setting, which cuts through a live wall of sound especially well with a lot of clarity and attack. This microphone is not specifically designed for the kick drum, as some are and is quite versatile. The 52A microphone has come from that pedigree. The kick drum is no exception, and in most music genres, it’s one of the most important elements within any song. It not only reproduces the sounds that are deep, but it also handles volume as well. This means that the microphone is able to provide a consistent frequency response regardless of positioning. It is marketed and sold as a kick drum mic, and its hypercardioid pattern suits that perfectly. It is a little more expensive than some options available. Responding to the transient peaks is very important for a mic to produce quality. Shure has specifically tailored the frequency response of this kick drum mic to suit a live musical application. As mentioned, it is also a good mic for handling other low-frequency recordings. The very first step is capturing great quality sounds at the source. In fact, if you didn’t know of its performance capability, you might not give it a second glance. It has a locking stand that makes setup easy and XLR connections. The Basics Of Miking A Kick Drum Depending on what source you’re recording, there’s a million different ways to mic it up to reach the final tone you’re looking for. This is one of the best kick drum microphones around, but it is made even more impressive with its natural versatility. The kick in microphone tends to be a condenser boundary microphone, like the Beta 91a. Rated as one of the best high-end microphone producers in the world. This bass drum mic features a rugged, lightweight aluminum body with a large-diaphragm capsule that enhances bass response. Placing a mic in front of or in the drum will accentuate the mid-range frequencies — the sound of the drums attack. It has a low sensitivity to load impedance variables. That ought to suffice. This site is intended for informational purposes only. These microphones with one or two exceptions are designed specifically for lower frequencies. It is well made with a rugged outer body casing and is reasonably small and lightweight to carry around. There are a lot of people who say that this is one of the best kick drum microphones. Anything above 40Hz, though probably means that the deep sounds may not be picked up. Those are the essentials. By definition, it is a very bass concentrated mic, but it lacks not only a real depth but also a sharp top end. But the design of the Shure ensures clarity and quality. In the case of the kick drum, that means what is being aimed at it. Design improvements have been made, and the mic now has a swivel-joint. Every mic has a different polar pattern, but usually, they can be grouped into sub-categories. This bass drum microphone performs well and is very easy to use, delivering a reliable and consistently clear sound every single show. The 52A is no different. Required fields are marked *. The Shure Beta 52A has a host of quality features, including an advanced pneumatic shock mount system that minimizes the transmission of mechanical noise and vibration.