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how to record bass drum

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Positioning the mic close to the beater and on-axis will produce a sound with lots of attack, often at the expense of tone. Can you hear the beater? The first thing to address is the drum itself; no number of fancy mics or techniques will rescue a poor-sounding drum. This distance also works well when the front head is removed. Then take a heavy blanket, like a moving blanket, something really dense, and you make a tent out of it. Move the mic away about six inches farther away from the head. 3: Sometimes, placing a mic inside the drum is not an option. Try inverting the phase of one or both of the mics to achieve the most solid sound in the mix. Buy this video. Some engineers like to place an external mic several feet away from the drum, an approach that can work well as long as spillage from other instruments – guitar amps for instance – doesn’t make this technique problematic. Does the drum sound tight and punchy? Learn how to make the most out of Chord and capture different structures to spark new ideas. This is an excerpt from Audio Recording Basic Training by Bobby Owsinski. Dive into wavetable synthesis by creating lush chords and heavy bass. If you’re recording a kick, pay close attention to mic placement. Spending a little time getting the sound right with good mic’ing techniques will go a long way to achieving a great bass drum sound; however, a little EQ is sometimes needed to help the sound along the way. Cubase is packed with tools to help you turn your musical ideas into recorded reality, but it can also be extensively customised, which can speed up your workflow and increase your productivity. Because it can come in different sizes and be used with the front head on or off, its sound will vary a lot more than the other drums. For a really driving, rhythmic sound, compress the whole kit and push the bass drum to make the compressor pump in time with the track. Dynamic mics are often the first choice for bass drum recording, especially when close-mic’ing techniques are employed, as they can withstand high SPLs. By checking the boxes you agree to receive the following from us via e-mail. Aim the mic away from the beater and more at the shell of the drum. Experiment with a few different positions to determine what sounds best. Common dynamic mics, such as the Shure SM57, work well in this position and allow the first mic to be used further away from the resonant head if desired. This can be done by draping a thick blanket or duvet over the top of the bass... 3: … Get the latest industry news, reviews, features and tutorials. Place the mic just inside the hole, pointed at where the beater strikes the back head. It’s the most wonderful time of the year for your plug-in folder. Chapters:-Best positions with D112 + 47FET -Best positions with MD421+U87-Best positions with M88+Royer122-Checking phase relationships-Balancing the two mics-Guided comparisons between the different sounds, mics and positions The attached zip file contains the audio … First, it’s important to start with the instrument itself. Has the sound changed? Near the head for a sharp attack from the beater. Visit Bobby's music production blog, Music 3.0 music industry blog, Forbes blog, podcast, and website. Place the mic 2 to 3 inches away from the inside head and a couple of inches off center. Another major contributor to the sound is the type of beater used – a wooden or plastic beater will create a harder sound with more attack than a felt-covered one. Direct Injection. Acrylic drums like Ludwig’s Vistalites absorb very little sound, making them louder and punchier than any wood. A Step-by-Step Guide to Recording the Bass Drum Bass drum mic positioning. The subkick mic is actually a small speaker (anywhere from five to eight inches) that’s used as a microphone to pick up the ultra-lows (below 50 Hz) of a kick drum that most mics just can’t capture. Does it have enough low end? Are there a lot of overtones? Does it have enough low end? Similarly, if a pad is used on the batter head where the beater strikes, a harder material will produce a sound with more click. Setting up noise gates can be tricky, so it’s usually best to record the track without a gate, in case a weak bass drum strike fails to open the gate and is not recorded. 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Without going into drum-nerd levels of detail, here are the main points: Most bass drums are made of wood, with softer woods, like mahogany, producing a darker timbre and harder woods, like maple, sounding brighter. What Kind of Impact Does Our Music Really Make on Society? Move it away about a foot farther. A low-end boost around 60–80Hz can add some body to a thin-sounding bass drum if it lacks some low-end weight, but avoid shelving boosts in the 100Hz region, as this can dial in muddiness. Alternatively, leave the bass drum out of the drum-kit mix-buss to avoid unwanted pumping artefacts. The most common sizes are 20–22 inches in diameter with a depth of between 14 and 16 inches. 2: Consider constructing a drum tunnel. Once you have you gear in order, it’s time to start capturing your sound. For a kick drum without a front head, place the mic on a short boom stand in front of the bass drum and position the head element of the mic just inside the drum by a couple of inches. Fab looks at how to record a bass drum with two microphones and explores the benefits (and problems) of doing that.

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